I'd like to start out by saying that
this book is a huge disappointment from the last one. So far the
first forty-nine pages have been a windy literature review. In the
words of a David Foster Wallace essay I read recently, “Hix's
analysis of the players he does cover suffers from the scholarly
anality that's so common to published dissertations, an obsession
with the jots and tittle of making excruciatingly clear what he's
saying and where he's going […] make the reader wish Hix's editor
had helped him delete gestures that seem directed at thesis
committees rather than paying customers” (141-142).
Of course, I have the same complaint
with several of the books we've read in other classes, so no big
deal. It's just, the more of this type of work I read, the more
familiar I am with the oft-repeated sources, which makes the next
literature review more repetition and thus more boring to read, ad
nauseum.
The introductory chapter is overly
emotional and broad, starting with the angle that Bad Things happen
and they're so Unspeakably Bad we need to have Critical Theory to eff
the ineffable. I found a few things from this first chapter to be of
note. Specifically, on page three, “others aim to resurrect class
as a central theme....” Has class not been a central theme since
Marx? What am I missing here? Also, the critiques against Kant et
al. for their (temporarily normative) opinions / leanings in regards
to sexism and racism. Are there scholars who discount their thinking
because of this? Does that invalidate any scholarly work older than
100 years, or just the stuff by people lucky enough to not put their
views on the subjects into print? Would someone in a hundred years
look at this work and consider it to be sexist / racist because even
though it starts with a Crit Theory that's all-encompassing it
continues only analyzing white men and then Americans of African
descent primarily?
Loved the idea of Roots vs. Routes,
highlight of book so far. Their take on Gramsci was much more
understandable than Villanueva's, and this introduced me to Fanon for
the first time. Their Freire explanation was not great. I was
surprised to see Derrida and Foucault referred to as sociologists.
Is that common? Wikipedia refers to both as philosophers. I found
the connection between liberation theology and Marxism to be
insightful.
Finally, the third chapter raised some
good but inflated points. Colorblindness as a continuation of
hegemony issued the most resonance in me. We've danced around that
issue before, but I hadn't seen it put that succinctly. The short
debate about American Indian studies, the nomenclature and the
approach reminded me of Alexie's professor-student conflicts within
Indian Killer. Finally, on
page forty, the authors state that they recognize Feminism isn't a
monolithic institution, but instead composed of many fragments. I'd
be curious to know what large branch of critical theory (of any
discipline) they consider to be monolithic in contrast – I doubt
one exists.
I'd have to agree with most of Graham's comments. Especially with the notion that Feminism, nor other critical approaches or fields are monolithic. I think it's almost silly to even bring up the point that it isn't, of course it isn't! It may have been mentioned because Feminists might be quick to attack that it would be debased to such a short chapter or one section, but I feel like it still isn't worth noting. And on the subject of honing in on whiteness vs. African critical theory, I feel like it would be looked upon as racist in the future. However, I say that because I found the work of the scholars reviewed in the first chapter as racist and sexist. Saying it isn't because it begins with the fact that it's a critical theory isn't really accurate to me. Other fields need to be explored.
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